writing

“The Beginning or the End? The Modern Art Museum, in Progress.” The Museum is Multiple. Van Abbemuseum 2004-24,

edited by Charles Esche & Chương-Đài Võ, Van Abbemuseum, 2024, 341-356.

Review: “Open Questions: Thirty Years of Writing About Art by Helen Molesworth, edited by Donna Wingate, Phaidon, 2023.”

Woman's Art Journal 45, n.2, 2024.

“Against Historical Totality: Feminist Presents are Disorienting. Julia Alting in conversation with Victoria Browne.”

Soapbox, journal for cultural analysis, 2024.

“Abundant Feminisms: Erika Balsom on nonlinear feminisms and nonfiction films.”

Trigger and Rekto/Verso, 2023.

Review: “Catherine Grant, A Time of One's Own: Histories of Feminism in Contemporary Art (Duke University Press, 2022).”

Trigger, 2023.

“Emancipatie van de toeschouwer: horizontale gesprekken over kunst in Carla Lonzi's Autoritratto.”

Article 29, 2022.

“Reframing Art History's Archive: Self-as-other and Other-as-Self in Amrita Sher-Gil's and Pushpamala N.'s citations.”

Diffractions n. 4., 2021.

“Stil staan in een wereldwijd, maar krap heden.”

Simulacrum 29, n. 3., 2021.

“An intercultural ‘Amsteldam’ dish, 400 years of VOC and a postcolonial present.”

Aziatische Kunst 51, n. 1., 2021.

“Translations of Mythic Frida: Merging Life and Art.”

Simulacrum 29, n. 1, 2020.

“Stop romanticizing my wounds: 400 jaar VOC en het postkoloniale heden.”

Simulacrum 28, n. 4, 2020.